Nova
The funeral
home is a cold and lonely place. I spent last night with four people, who like
me, are lying stiff on cold metal slabs with only a white sheet over them, up to their
chins. The fluorescent lights make a high-pitch squeal as I stare up at them, like fat bees in a tin hive. My eyes aren’t open, they will not open, but I could
see those lights and I wondered if they were the lights of Heaven until I looked
around and realized I was where I am, still in the basement of the Autry-Swain
Funeral Home in Terre Haute, Indiana, waiting for a mortician to do his work. Or her work, I suppose.
I don’t feel
any pain, anymore. Neither in my heart, nor in my body. I don’t feel anything,
really, but I am able to observe my surroundings and think, just as I had been
when I was living. But unlike when I was living, I think clearly and I feel an
overwhelming sense of peace and self-satisfaction. The way I felt after
graduating from college, but without the dread of looming college debt. I don’t
have any anger, or guilt, or sorrow. Nor is there any sense of happiness inside
of me. I feel the way I imagined fish in a fishbowl feel that had never known the
ocean, or a larger tank. Those that had been put in an aquarium straight from
a plastic bag.
I step outside
of my body and stand beside myself and look down upon what is left of me. I never
imagined I would die at forty-one. I always thought I would have been married and have
lived a long and happy life. I saw apple trees and grandkids in my future,
neither which came to pass. But I don’t feel bad about that, it is merely an
observation, a difference from that which I expected to be and that which was.
The hair
stubbles on my chin are only recently gray, and my brown hair on top was just starting to thin, but I could still style it. I suppose, I had aged much over the
past year, but I am still a good-looking man. I deserve better than I ever got,
than that which I allowed myself to have. In many ways, I was much like the
stripped-down ’68 Chevy Nova SS 427 in my garage that I had never had the time or the money to
restore. That is what I would say to me if I was still alive to say or to hear
it. I died in need of restoration.
They have yet
to embalm me, to drain my dead blood and fill me with show chemicals and to wax my
face, sew my lips shut, glue my eyelids, that sort of thing. That which they
gloss over in the movies and TV will be happening to me very soon, I suppose. I am only sleeping,
really. That is how I think of it. Sleeping without an alarm clock. With an excuse from
work. With a permanent doctor’s note and an empty calendar that doesn’t
recognize any day as a day of more, or less, significance.
Sleeping next
to me are the four others, I mentioned. They, too, are standing next to
themselves looking down at their meat. There is an elderly lady who looks like
a long lump of gray mashed potatoes on the slab, but her soul, that who is standing
over her, is young and very pretty. She wears a long, charcoal-colored wool skirt
and a white cashmere sweater. She looks a lot like Marilyn Monroe, but less
worn. I hardly notice the other three because of her. They are quiet in every way a person, or a soul, can be quiet.
We don’t say
anything to each other. Perhaps, it is the shock of being here, or the
suddenness of it all. Maybe shock makes one devoid of emotion, I think. But no, I
think again. Maybe it is just the tranquility of death that has finally washed over
us. I think of all those bland sympathy cards in the gift shops for people who lost
loved ones. Watercolors. Swans. Clouds. Lilies. I cannot explain the peace. It feels
like I am a wind or the sunshine, and that I am bound not to just one thing or
purpose anymore. Chained not to the skin and bone of a single body, but rather that
I float upon thousands at once and my reach is that of all the waters of the
ocean in one hand.
The mortician
comes in wearing heels and listening to music through earbuds. I am first, so
she wheels my meat to another room and I follow because I haven’t anything
better to do. She looks indifferent to me, as though I am not a real person,
and I think maybe that is how she manages to do her job. She chomps on
spearmint gum. She locks the wheels of the table that she parks near a sink. She puts on
gloves and massages my arms and legs, almost affectionately until she starts
humming the song she is listening to. She then glues two flesh-tone-colored eye
caps to my eyes. She carefully wires my jaw shut, but doesn't glue my lips. They stay shut.
She fixes my face with her hands like someone shaping a snowman when someone comes into the room. They laugh about some movie they had both watched, not paying much attention to me. Her earbuds dangle from her ears and I can hear the music she listens to. Tom Petty. The guy that came in the room jams a needle in my arm that doesn’t feel like anything and my useless blood flows and swirls out into a steel receptacle that swallows it. She inserts another tube and some solution from a bag replaces my blood. I just lie there like good meat lies and take it.
She fixes my face with her hands like someone shaping a snowman when someone comes into the room. They laugh about some movie they had both watched, not paying much attention to me. Her earbuds dangle from her ears and I can hear the music she listens to. Tom Petty. The guy that came in the room jams a needle in my arm that doesn’t feel like anything and my useless blood flows and swirls out into a steel receptacle that swallows it. She inserts another tube and some solution from a bag replaces my blood. I just lie there like good meat lies and take it.
I spend the next
few days talking to Margaret. Margaret is the lady who looks like a young but less worn Marilyn Monroe. I tell her that, but she doesn’t smile or laugh
because we don’t have it in us anymore to smile or laugh, or to cry, or
anything. I ask her if she watched her embalming and she says she did. She
mentions that she thought they would take her organs and throw them in the
trash and I said so did I. It was pretty easy, she says. I ask her what she is
going to do now and she says, “I don’t know what I am supposed to do.” She
tells me she died of heart failure in a nursing home like someone tells someone
that they had meatloaf for dinner last Tuesday.
She asks how I
died and I say I hung myself, casually. She nods her head. Where did
you hang yourself, she asks. In the garage. She nods her head again. Why did
you hang yourself, she follows. I was in love with someone who didn’t love me,
who left me. She shakes her head and says that it happened to her, too, after
she no longer looked the way she looks now. After three babies and cancer. “But the
worst part,” she says, “is that he stayed.”
I had never
thought of it that way. I suppose it would have been worse had she stayed.
Instead of being killed all at once, I would have been killed slowly over a few
decades until something gave out because something’s always got to give when someone doesn't love someone. She
asks me if I ever heard the old story about boiling a frog. I said no and she
says that if you put a frog in a boiling pot of water it will jump out. But if you put a
frog in a pot of cold water and slowly boil it, the frog will acclimate itself
to the water and it will boil as the water boils. “You hopped out
of your pot,” she says. “I boiled.”
Maybe she said
so to give me solace, but I don’t need solace because I am at peace. I ask her
if she feels the same way and she says she does. I ask her if she is going to go
to her funeral and she says she isn’t. She doesn’t plan on leaving the room until
someone from upstairs or downstairs tells her where to go next. Until some door
opens and she can leave to go to the next room, she says she is staying put.
Despite being able to leave our bodies, we aren’t able to walk through walls,
or through closed doors. And when a custodian left the door open, we learned
that we weren’t able to pass through an open door, either.
She asks how I am
going to go to my funeral when we can’t leave the room through an open door and I say I will show
her as though it is some great magic trick. I feel myself get a little excited
about showing her, but it washes away and I just look at her and she looks back
at me as though she doesn’t care if she ever finds out the rest. We sit there
for two days talking about our lives. We talk about things one of us knows that
the other doesn’t. Movies we had seen. Books we had read. Places we have been.
I tell her about my '68 Nova and she says she always wanted one.
She tells me
she looks like she did in 1957, and I say that was a long time ago and she
agrees. I say I look like I did when I first met my girlfriend in 2014. She corrects me
and says my ex-girlfriend and I say back, yes, my ex-girlfriend. The one that
doesn’t love you anymore, she says. Yes, I say, the one that doesn’t love me
anymore. She asks if I know where her love for me went. I don’t reply. She
snaps her fingers and says, “Poof. That’s where it went.”
And I say, “Yeah.
Poof.”
Then she smiles.
It isn’t a seemingly significant thing, but it is significant for us. Neither
of us had smiled in two days because we simply hadn’t the emotion to do so. Those
emotions were left in our meat. And I look at her perfect white teeth and I
smile back. But it fades from her and it fades from me and we sit there contented, back where we started. Like two frogs. Neither of us in cold or boiling pots.
A day later it
is time for my funeral. My big day. Margaret is sitting in a swivel office
chair and watches me from across the room as I walk over and climb back onto
the table and into my meat as two men start to wheel me out of the room. I look at her as they
do, unsure if I will ever see her again and she waves, slightly, and I wave back.
I wonder if she is thinking the same thing. Then I think of a line I could have
used, what’s a girl like you doing in a place like this. But it’s awful, and I
shake my head and almost laugh. But with that thought, with that laugh, I realize I am starting
to heal. Though I am dead, my broken heart is not so broke anymore. I can’t
feel it. It was my biggest fear when I killed myself. That I would carry my
sorrow perpetually on the other side like the chains of Jacob Marley.
The men get me
dressed in a suit my mother brought, a dreadful blue thing, a size or two too big, that she bought at Sears-Roebuck.
I could just imagine her buying it and telling everyone what it was for, like
the way some moms tell everyone their son is getting married. It’s still a
special occasion, she would probably argue. She would have cried at either. She
probably told everyone who would listen that I hung myself in the garage
because I had a broken heart as though it were something to be proud of. Like I
had made the junior high honor roll.
I lie in the
casket as everyone I know strolls by and looks down at me and says something or
another. Some are kind and sincere, but others seem rehearsed and bland, as
though they are saying it just so the person behind them will hear them. My
ex-girlfriend shows up in a short black dress, a black veil, and heels. She
saunters by and says, “Well, you really did it this time, didn’t you? You just couldn't get over it, could you? It's been months!”
I think she called me a selfish bastard, but I don’t know for certain because she did so under her breath. My mom gave her a big hug because my mom loved her more than me, though she hadn’t called my mom after she announced that she didn’t love me anymore. She didn’t love my mom, either, I guess. I suppose though, there is some kind of female bond that binds through thick and thin. Some estrogenic comradery. I don’t understand it. My death was simply my ex-girlfriend’s excuse to buy a new black dress and to wear a veil.
I think she called me a selfish bastard, but I don’t know for certain because she did so under her breath. My mom gave her a big hug because my mom loved her more than me, though she hadn’t called my mom after she announced that she didn’t love me anymore. She didn’t love my mom, either, I guess. I suppose though, there is some kind of female bond that binds through thick and thin. Some estrogenic comradery. I don’t understand it. My death was simply my ex-girlfriend’s excuse to buy a new black dress and to wear a veil.
“He loved you
so much!” my mom pours it on. “I loved him, too,” she replies like she is
reading from a sympathy card. Tears don't dare mess up her mascara. They are still hugging when I climb out of the casket
and have a look at them. I sit in a seat and as the funeral begins, my
ex-girlfriend sits in an open seat beside me. Halfway through the eulogy, delivered by a pastor
I had admired but was never particularly close to, she is texting on her
phone. Some guy named “Jake.” Some police officer her friend fixed her up with.
They went on a double date.
She tries to be subtle, but after a while she doesn’t seem to care and the phone vibrates as soft music plays and I have all I can stand of her so I go and sit by my brother who is famously emotionless. The usual flowers are spread about. The bouquets picked and clicked online that will get carried to my mom’s apartment and that will wilt in their wicker baskets or glass vases like graves. Baskets and vases that will get stuffed in a cabinet and will never be used again. There are cards, those lifeless cards. Watercolors and swans. Ponds and clouds.
Where were you all, I ask them all, standing at the podium between people saying rehearsed things. Where were you when I needed someone? Friends, family, people who said they loved me. One or two words may have made a difference to me. One smile. Something! Anything! No one replies.
She tries to be subtle, but after a while she doesn’t seem to care and the phone vibrates as soft music plays and I have all I can stand of her so I go and sit by my brother who is famously emotionless. The usual flowers are spread about. The bouquets picked and clicked online that will get carried to my mom’s apartment and that will wilt in their wicker baskets or glass vases like graves. Baskets and vases that will get stuffed in a cabinet and will never be used again. There are cards, those lifeless cards. Watercolors and swans. Ponds and clouds.
Where were you all, I ask them all, standing at the podium between people saying rehearsed things. Where were you when I needed someone? Friends, family, people who said they loved me. One or two words may have made a difference to me. One smile. Something! Anything! No one replies.
I get back into
the casket to get loaded up in the hearse to go to my burial. I resign myself
to be buried with my meat and just lie there forever waiting for the worms to devour me. The feelings of tranquility
are gone and I feel like I did dangling there in the garage. Or as I tied the
rope to the rafter. Or as I pushed my stripped-down Nova out of the garage to make room to hang myself,
realizing it will never be restored.
The last memory
I had living was the feeling of a bloody nose and watching the black drips of
blood fall to the gray of the garage floor. Hearing them splatter like my
ex-girlfriend’s thumbs on her cellphone. I’m
at this thing, Jake. Relax. I’ll meet you out tonight. K? I regret killing
myself suddenly as they lower me into the hole. As I think of her. As I hear the chains turn over
the big metal spool of the machine, the grinding of the gears of its motor. It
was never worth it at all, not one single tear, but it is too late to have my life back now. All things,
they say, happen for a reason. That is the only bit of clarity I got.
And it’s like bathing in sorrow and drying off with a cocktail napkin.
I push myself
through the casket and manage to climb out after some struggle. My mother throws
a handful of dirt over me and I frown at her. I somehow successfully separate
myself from my meat and I don’t know how, or where I will go next. And then from darkness, Margaret bursts in my mind. I have spent the past two days getting to know her soul and it is
the most beautiful soul I have ever known. And standing there looking at my
friends and family, who never called, or cared to visit while I was living, who
look down into my hole like people looking down into a lake at their own
reflection, I jump into the hearse before it leaves and I watch them scatter
as the hearse pulls away.
At the funeral
home I follow the men back inside and I make my way to the basement where
Margaret is watching two other men load her meat onto the same kind of portable
table to go get dressed and then to be laid into a casket. She is just staring, but as she sees me come back she smiles again for a split-second, though it quickly fades.
“Are you going
to your funeral?” I ask her again.
“No,” she says.
“There will be no one there.”
“We will be
there.” I take her hand and she resists at first but I give her a tug and she
says we can’t leave the room. But we walk right out of the door and up the
stairs and there are her kids and grandkids and cousins and some friends. We
sit in the backrow and watch everyone paying their respects. And I hold her
hand and I can feel it, as real as any hand I had ever held, even more so. I can feel her soul through her hand. There is a warmth
to it and she squeezes my hand from time to time and looks at me and smiles
before her eyes go back to a pastor she was close to later in life. And he says, “Margaret
lead a long and meaningful life.” And he goes on to say, “And she is in a
better place now. Receiving those gifts that she could not receive on this
Earth, all that there is that awaits us, the faithful, in Heaven.”
We don’t go to
her burial. We aren't burying anything anymore. We walk to a nearby park and look up at real clouds, a real pond, and a
beautiful swan that gently glides across the emerald water. There is no
reflection looking back at us as we look down, we are locked in a profundity that seems to be of infinite depth. And the first of the angels come in an old
68 Chevy Nova SS 427, perfectly restored green and black, and she takes us to the next
place as we hold hands in the backseat like a
couple of happy honeymooners.
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